Writers today, and throughout much of motion picture history, have faced a dilemma.  To turn their scripts into motion pictures has generally required getting in front of a decision-maker at a studio.  However, studios, for a variety of reasons, would rarely take a look at scripts unless an agent has submitted the work, or a writer represented by an agent has submitted the script.  However, getting an agent that can actually perform, that is get a writer's script in front of a studio, often requires a track record in the industry.

This dilemma speaks in many ways to Camelot's opportunity to acquire both writing and directing talent off of the Hollywood radar.  This massive opportunity is critical, because without a great script, it is either incredibly expensive or simply impossible to produce a great motion picture.